Showing posts with label parallax. Show all posts
Showing posts with label parallax. Show all posts
2010-09-05
The man who fell to earth
Sci-Fi movie The man who fell to earth (1976) offers one more example of very early use of holography in cinema.
David Bowie as Thomas Jermone Newton is a humanoid extraterrestrial falling down to earth to find water for his dry desert planet. On earth he starts high tech company World Enterprise to build a spaceship bringing him back to his home planet.
His wife on far distant planet receives a video onto an holographic display of her husband.
The man who fell to earth (1976)
This snippet reveals in an unprepossessing way one main feature of holography - the parallax view. While Thomas Jermone Newton is just shown his own back in the commercial he is watching on TV, his wife is able to see his front on her holographic display.
2010-02-15
Parallax view
Spacial parallax is mentioned in entry Unprejudiced information by redundancy as one feature of holography. This entry wants to illustrate the concept of this phenomenon with the help of some movie footage. Simultaneously it wants to show how a feature which is typically for holography, finds its application in other fields. Beyond holography. In this case in the field of film.
Parallax has got a greek origin and means change or divergence. It terms a virtual change of the position of an object due to the change of the observer's position. To make this a little more understandable, imagine your thumb being alternately viewed through left and right eye. The thumb seems to be jumping in front of the background. So this is caused by different angels. Both eyes and thumb form an equilateral triangle with the distance between both eyes as a basic length. In astronomy, where this phenomenon finds its genesis, it is being used for calculating distances between planets. With the thumb being substituted by a planet.
Viewing the photograph of a stake below one can neither let it jump by opening an closing ones eyes alternately nor can have a look what's behind the stake.

In contrast to that viewing the snippet below should make the point.
The Parallax View (1974)
This snippet is the establishing shot taken from movie The Parallax View. With this first scene director Alan J. Pakula visualizes the title of the movie on a level of pictorial language.
In this movie local reporter Joe Frady witnesses a murderous attack on presidential candidate Senator Charles Carroll in a restaurant on the top of the Space Needle in Seattle. Trying to investigate who is responsible for this attack, he reveals that enterprise Parallax Corporation is part of a conspiracy behind that.
"Auf den Film übertragen läßt sich formulieren, wie wenig man sich bei der Sicht der Dinge der Abhängigkeit vom eigenen Standpunkt bewußt ist und wie sehr das Verhaftetsein in der eigenen sozialisierten Identität unser Weltbild bestimmt. Der "Parallax View" - der parallaktisch verschobene Blickwinkel also - macht nicht nur vordergründig die von Frady entdeckte Verschwörung sichtbar, sondern demontiert anhand dieser Perspektivenverschiebung den identitätsstiftenden amerikanischen Mythos, indem er einen Blick auf ein Amerika bietet, dessen Geschichte bis in die Gegenwart als eine Geschichte der Gewalt verstanden werden kann"
[translation: Transferring the concept of Parallax View to the movie, it could be said how little one is aware of dependency of ones own angle regarding to the sight of affairs and how much sticking to ones own socialized identity shapes ones world view. The Parallax View not just uncovers the revealed conspiracy, but also disassemble identity-establishing american myth by offering a view onto America, which history until present time can be understood as a history of violence.]
As mentioned at the beginning the Parallax View is a feature of holography. Depending on the kind of recording, a hologram can offer a vertical parallax as well as a horizontal parallax.
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